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Georges Liautaud (Haitian, 1899-1991) 11"x7" BLACK MAN/ANIMAL c1970 Steel-Cut Sculpture #2GN-HA

Georges Liautaud (Haitian, 1899-1991) 11"x7" BLACK MAN/ANIMAL c1970 Steel-Cut Sculpture #2GN-HA

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Description

Man/Animal is an original hand-cut steel sculpture by renowned Haitian master Georges Liautaud (1899-1991). Forged from reclaimed steel, the sculpture depicts a striking hybrid figure that merges human and animal characteristics through bold, expressive forms and simplified anatomy. Its outstretched arms, animated posture, and mask-like face embody the imaginative visual language that established Liautaud as the pioneer of Haiti's celebrated cut steel tradition. Originally a village blacksmith in Croix-des-Bouquets, Liautaud revolutionized Haitian sculpture by transforming discarded steel oil drums and industrial metal into powerful works inspired by Haitian folklore, Vodou symbolism, spirituality, and everyday life. His groundbreaking innovations gave birth to the internationally recognized Croix-des-Bouquets school of metal sculpture, one of Haiti's most important artistic traditions. The sculpture's dramatic silhouette, hand-cut contours, and richly aged patina reveal the artist's remarkable ability to transform reclaimed material into an expressive work of art. Balancing abstraction with symbolic imagery, Man/Animalreflects the creativity and ingenuity that define Liautaud's artistic legacy. Today, Georges Liautaud's sculptures are represented in major museum and private collections worldwide, including the Museum of Modern Art (MoMA), the Milwaukee Art Museum, the Waterloo Center for the Arts, and numerous distinguished collections devoted to Haitian and Caribbean art. This original sculpture is an exceptional example of Haitian cut steel art and an important work by one of Haiti's most influential twentieth-century sculptors. A Certificate of Authenticity issued by Myriam Nader Haitian Art Gallery accompanies the purchase.

About this artist

Georges Liautaud was born in Croix Des Bouquets in 1899 and died in 1991. He is a blacksmith, which undoubtedly explains his choice of iron as his medium of expression. Dewitt Peters discovered him in 1953 through the crosses he had made, which grace his hometown cemetery and bear a remarkable resemblance to “Vévés.” His artistic career began when he delivered his first sculpture to the Art Center.

 A kind and intelligent man, Liautaud philosophically accepts his international reputation. He has never left his blacksmith’s shop in his native village, where visitors to his home are welcomed in his kind and smiling manner.

 His work, renowned and sought after worldwide, including European and American museums, makes him Haiti’s most excellent tin and wrought iron sculptor. He believes his talent is a gift from God. His creations vary from the abstract to the figurative. Steeped in Voodoo traditions, Liautaud creates mermaids, devils, fantastical animals, and traditional deities. (La Peinture Haitienne/ Haitian Arts by Marie-José Nadal and Gérald Bloncourt, Editions Nathan, Paris, 1986, pp. 71)

 Liautaud’s works have been exhibited internationally in places such as the Grand Palais, the Centre Pompidou, the Abbaye de Daoulas, the Fowler Museum, the Brooklyn Museum, the Frost Museum, the Bass Museum, the Halle Saint-Pierre, and the Musée de Montparnasse. His work is part of the permanent collections at the MoMA in New York, the Milwaukee Art Museum, the Davenport Museum, the Waterloo Museum, the Huntington Museum of Art, the Figge Art Museum, the Fond national d’art contemporain de France, the Musée National d’Art Moderne de Paris, the Musée de l’OEA, Le Centre d’Art, the Musée d’Art Haïtien du Collège Saint-Pierre and the Musée de Panthéon National Haïtien.

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