Levoy Exil 35.5"x23.5" Bird Spirit Guardian 1997 Acrylic on Canvas Unframed Painting #2CU
Levoy Exil 35.5"x23.5" Bird Spirit Guardian 1997 Acrylic on Canvas Unframed Painting #2CU
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Certificate of Authenticity Included
Description
Description
This original 23.5" × 35.5" acrylic on canvas by Levoy Exil (1944-2019), a founding member of Haiti's influential Saint Soleil movement, is a striking example of the artist's distinctive contemporary style. Signed and dated 1999 by the artist, this original Haitian painting depicts a monumental female figure crowned by a symbolic blue bird while holding an abstract ceremonial form. Rich textures, vibrant blues, and expressive patterns create a powerful composition that evokes themes of spirituality, protection, transformation, and the unseen world. Inspired by the spiritual philosophy of the Saint Soleil movement, Bird Spirit Guardian blends Haitian Vodou symbolism with abstraction and expressive figuration. The symbolic bird, rhythmic surface, and bold color palette exemplify Exil's ability to transform simple forms into compelling visual narratives, making his paintings highly sought after by collectors of Haitian and Caribbean art. From a private collection in Florida, where it will be shipped, this signed and dated 1999 painting comes with a Certificate of Authenticity issued by Myriam Nader Haitian Art Gallery. Combining strong provenance, a desirable date, and the artist's iconic Saint Soleil aesthetic, it is an outstanding addition to any collection of original Haitian art, Saint Soleil paintings, Caribbean modern art, or contemporary figurative art.
About this artist
About this artist
Levoy Exil was born in 1944 in Soisson-la-Montagne, Haiti, and became one of the principal figures of the Saint Soleil movement, a school of Haitian art rooted in spirituality and collective, almost trance-like creation. His paintings are mystical and abstract, often depicting Vodou Loas, suns and stars, birds, and marassas, the twins central to Haitian spiritual symbolism.
His style draws on primitive and naive traditions while remaining distinctly dreamlike, built through a pointillist technique of small, distinct dots that gradually reveal a larger image shaped by African, Haitian, and Vodou influences. Writer Gerald Alexis described the effect in Peintres Haïtiens, noting that sinuous lines create an effect of dancing figures on Levoy's canvasses.
Exil has exhibited internationally throughout his career and holds a strong following among collectors, particularly in Europe.
